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Book cover of في النقد التطبيقي: صيادو الذاكرة by Radwa Ashour

في النقد التطبيقي: صيادو الذاكرة

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Arabic

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literature

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250

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Book Description

يضم الكتاب مقالات كتبتها الباحثة في فترات زمنية متباعدة وفي مناسبات متعددة. إلا أن هذه النصوص على عشوائية زمن وظروف إنتاجها أبعد ما تكون عن العشوائية فهي مترابطة في أسلوبها المنهجي ومتسقة متكاملة في تغييرها عن شواغل كاتبتها في ممارساتها النقدية. هذا وإن القارئ يجد بأن معظم المقالات المنشورة في هذا الكتاب تنتمي لمجال النقد التطبيقي، فهي قراءات لنصوص بعينها: حي بن يقظان، الإنسان والبحر، ثلاثية نجيب محفوظ، ومالك الحزين لإبراهيم اصلان... صيادو الذاكرة الفلسطينية... رحلة لطيفة الزيات، الكاتبة والحرية... عاصفة شكسبير... الواقعية بين لوكاس وبريخت...، توظف الباحثة من خلالها المنطلقات النظرية ضمناً ولا تصدرها، وهي تجتهد في المقام الأول في عقد صلة بين القارئ والنص عبر قراءة تلتزم بدراسة الشكل وإن لم تكن شكلانية، إذ تربط النص بسياقه، تخرج منه لتعود إليه، تقرأ في عناصره علاقته بواقع تاريخي بعينه وهي علاقة فسيحة مركبة، متعددة الأبعاد، لا تقتصر على إعادة إنتاج هذا الواقع ومحاورته والتعليق عليه، بل تمتد إلى مسارات متعرجة وملتفة ومتقاطعة يتعين تتبعها بحرص.
Author portrait of Radwa Ashour

Radwa Ashour

Radwa Ashour (born in Cairo, May 26, 1946) is an Egyptian storyteller, novelist, literary critic, and university professor. Her literary project, in its creative aspect, is characterized by themes of national and human liberation, in addition to the historical novel. Her critical works, published in Arabic and English, range from theoretical productions to works related to specific literary experiences. Some of her creative work has been translated into English, Spanish, Italian and Indonesian. Biography: Radwa Ashour was born in Cairo, 1946. She studied English at the Faculty of Arts at Cairo University, and after obtaining a master's degree in comparative literature, from the same university, she moved to the United States, where she obtained a doctorate from the University of Massachusetts, with a thesis on African-American literature . In 1977, Radwa Ashour published her first critical work, The Road to the Other Tent, about the literary experience of Ghassan Kanafani. In 1978, Gibran and Blake's book, Critical Study, which formed her thesis for obtaining a master's degree in 1972, was published in English. In November 1979, under President Anwar Sadat, her Palestinian husband, Mourid Barghouti, was prevented from residing in Egypt, which led to the separation of her family. In 1980, she published her last critical work, before she entered the fields of novel and story, entitled The Follower Rising, on the literary experiences of West Africa. Until 2001, her experience would be characterized by the exclusivity of creative works, fiction and fiction, the first of which was during the days of an Egyptian student in America (1983), which was followed by the publication of three novels (The Warm Stone, Khadija, Sawsan and Siraj) and the collection of short stories I saw the palm, in 1989. This stage culminated in the publication of her novel The historical Granada Trilogy, in 1994, thanks to which it won the Best Book Award for the year 1994 on the sidelines of the Cairo International Book Fair.

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