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Book cover of ناصر 67 - شهادة اسرائيلية by Nabil Ragheb

ناصر 67 - شهادة اسرائيلية

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Author:

Nabil Ragheb

Number Of Reads:

78

Language:

Arabic

Category:

fields

Section:

Pages:

290

Quality:

good

Views:

943

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Book Description

كتاب " ناصـر 67 - شـهادة إسـرائيلية " ، تأليف: د.نبيل راغب ، والذي صدر عن مكتبة مدبولي عام 2010 ، ومما جاء في مقدمة الكتاب: هنا يبرز سؤال ملح : لماذا لم يقم عبد الناصر بتغيير عبد الحكيم عامر حتى يتجنب كل هذه السلبيات ؟ للحقيقة والتاريخ فإن ثورة يوليو كانت فى حاجة إلى حراسة الجيش سياسيًا وعسكريًا ، حراسته من الداخل ، حتى لا يتكرر مع عبد الناصر ما فعله هو بفاروق . وقد أدى عبد الحكيم عامر هذه المهمة العسكرية ، ولذلك لم يتخل عنه عبد الناصر أبدًا . وحتى لو فكر فى التخلى عنه فإن جذور عامر كانت راسخة وضاربة فى أعماق الجيش ، كما أن جذور عبد الناصر كانت راسخة وضاربة فى أعماق الشعب ، وأية مواجهة بينهما قد تؤدى إلى مواجهة بين الجيش والشعب . ولذلك كان هناك من الحتميات ما لم يمكن تجاوزه بمجرد قرار إدارى ينشر فى الجريدة الرسمية ، خاصة وأن عامر كان نموذجًا ممتازًا للرجل الثانى ، وزميلاً مثاليًا وقويًا ووفيًا يعرف ما يريد ويقنع به.
Author portrait of Nabil Ragheb

Nabil Ragheb

Nabil Ragheb is a contemporary Egyptian critic, writer, thinker and writer, born in Tanta in 1940. He obtained a Bachelor of Arts from the Faculty of Arts, Cairo University, Department of English Literature, and a Ph.D. from Cairo and Lancaster Universities in England. He worked for the Institute for three consecutive terms. He also worked as an advisor to the Minister of Culture in Egypt from 1969 to 1973. After that he worked as an advisor to the late President Mohamed Anwar Sadat from 1975 to 1981. He worked as a visiting professor at the University of Exeter in England from 1982 to 1986. He wrote 28 novels, some of which were turned into Films such as The Power of a Woman, Spider’s Thread, Love of the Snake, and the series “Burj Al-Akaber” for Egyptian television. He has more than one hundred books in critical, political, philosophical, cultural and civilizational studies. He has also participated in many Arab and international art and political conferences, seminars and festivals. He is now working as a professor of art criticism at the Higher Institute for Art Criticism and the Faculty of Mass Communication at Misr University for Science and Technology.

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