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Book cover of مدينة الموتي by Hassan Elgendy
Language: ArabicPages: 185Quality: good

مدينة الموتي PDF - Hassan Elgendy

Hassan Elgendy • Horror novels • 185 Pages

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جلس الأربعة وفي وسطهم شمعة صغيرة إذا ارتفع لهبها إلى سقف الدار كان خادم الجن قد حضر. وجلس الحي بن القصاب بعيدا عنهم. ثم بدأ الأربعة ينطقون الكلمات بصوت واحد حتى انتهوا منها. وفجأة ارتفع صوت الحي بن القصاب وهو يقول : أريقا أريقا فليقا فليقا حليفا حليفا أتوني مستكين مستكين احضروا أينما تكونوا احضروا فإنكم محاطون به من كل جانب سمسائيل الهوام يحاقوف المخلبي سمسائيل الهوام يحاقوف المخلبي ارجعوا يا جنود المارد ارجعوا يا جنود المارد فكوم يا حليق فكوم يا حليق نخدام بهاميم بحق سمسائيل أن تأتيني احضروا يا جنود المارد لتكونوا الجيش الأعظم.. الوحي الوحي.. العجل العجل.. الساعة الساعة.. احضروا بحق مخلبي.. فارتفع لهيب الشمعة إلى سقف الدار

Hassan Elgendy

Hassan Elgendy is an Egyptian novelist and writer best known for his work in horror, mystery, suspense, and dark fantasy, and his name has become strongly associated with the modern rise of Arabic horror fiction among younger readers. Born in Cairo in 1989, he studied philosophy at the Faculty of Arts, Ain Shams University, a background that can be felt in the psychological tension, moral questioning, and fascination with fear that run through many of his novels. Rather than presenting horror only as a sequence of frightening scenes, he often treats fear as a doorway into guilt, memory, obsession, hidden violence, and the fragile border between reality and imagination. His writing is marked by accessible language, fast pacing, dramatic twists, and a strong sense of atmosphere, which has helped his books reach readers who enjoy page-turning Arabic novels with supernatural and psychological dimensions. Among his most recognized works is the trilogy «مخطوطة ابن إسحاق», which includes «مدينة الموتى», «المرتد», and «العائد». This series helped establish his literary reputation because it combined old manuscripts, secret histories, legends, rituals, mysterious cities, and the tension of a thriller with the darker mood of horror fiction. He is also known for books such as «نصف ميت», «الجزار», «ابتسم فأنت ميت», «لقاء مع كاتب رعب», and «حكايات فرغلي المستكاوي», as well as the series «ليلة في جهنم», which includes titles such as «منزل أبو خطوة», «الرصد», and «أيام مع الباشا». A central feature of Hassan Elgendy’s fiction is his use of Egyptian settings and popular imagination. Old houses, cemeteries, narrow streets, closed rooms, forgotten documents, and inherited stories are not just decorative details in his work; they become active forces that shape the reader’s sense of dread. He draws on folklore, urban legend, crime, occult motifs, and psychological conflict, creating narratives that feel rooted in local culture while still appealing to readers of international horror and thriller fiction. His style is direct and cinematic, often built around short scenes, rising tension, sudden revelations, and mysteries that pull the reader forward. This makes his work suitable for readers looking for Arabic horror novels, Egyptian suspense fiction, supernatural thrillers, and stories that combine folklore with modern narrative energy. Hassan Elgendy’s importance lies not only in the popularity of individual titles, but also in the way he helped make horror more visible as a serious and entertaining genre in Arabic popular literature. His novels offer readers an experience that is both familiar and unsettling: familiar because they emerge from recognizable places, voices, and fears, and unsettling because they transform those familiar elements into sources of menace and uncertainty. For book websites, libraries, and readers searching for contemporary Arabic horror authors, Hassan Elgendy represents a distinctive voice whose fiction blends mystery, fear, folklore, crime, and psychological suspense into a readable and memorable literary world.

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