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Book cover of فى الوقت الضائع by Tawfeek Al Hakeem

فى الوقت الضائع

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5

Language:

Arabic

Category:

literature

Pages:

180

Quality:

good

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617

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Book Description

يعرض الكاتب في هذه الصفحات ما كنا نفكر فيه ونكتب منذ نصف قرن من الموضوعات المختلفة التى تشغل مجتمعنا ولم تزل تشغله مثل الدين والعلم والأدب والفن والمرأة والحكم ونحو ذلك ، مما يتكون منه هيكل الثقافة العربية بلغتها وتراثها بما يمكن أن القارئ على صورة خاطفة لتفكيرنا منذ عصر التنوير ، وهل تقدم أو تأخر ؟ أو لبث واقفاً في مكانه منذ نصف القرن ، وظل مجتمعنا كما كان ، بمشكلاته وأفكاره وأظن من واجبى في هذه المرحلة الأخيرة من حياتى أن أنظر إلى هذه السنوات الخمسين من وجودنا وأصحب قارئى معى في هذه النظرة وليس عندى من وسيلة إلى ذلك سوى عرض نمماذج تجسد هذا التفكير في هذه الموضوعات المختلفة .استمتع بقراءة وتحميل كتاب في الوقت الضائع للكاتب توفيق الحكيم
Author portrait of Tawfeek Al Hakeem

Tawfeek Al Hakeem

He was born in Alexandria and died in Cairo. An Egyptian writer and writer, one of the pioneers of Arabic novel and playwriting, and one of the prominent names in the history of modern Arab literature. Over successive generations of writers, his famous play Ahl al-Kahf in 1933 was an important event in Arab drama, as this play was the beginning of the emergence of a theatrical trend known as mental theatre. Despite the prolific production of Tawfiq al-Hakim, he wrote only a few plays that could be represented on stage. With a great deal of depth and awareness, his theatrical movement was called mental theater due to the difficulty of embodying it in a theatrical work, and Tawfiq Al-Hakim was well aware of this, as he said in one of the press interviews: “Today I set my theater within the mind and make the actors ideas move in the absolute of meanings wearing the clothes of symbols, that is why it expanded The gap between me and the stage, and I did not find an bridge that transmits such works to people other than the printing press.Al-Hakim was the first author who was inspired in his theatrical works with topics derived from the Egyptian heritage, and this heritage was inspired by this heritage through its different eras, whether they were Pharaonic, Roman, Coptic or Islamic, but some critics They accused him of having what they described as pharaonic tendencies, especially after his novel The Return of the Spirit.

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