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Book cover of شيفرة بلال by Ahmed Khairy Al-Omari

شيفرة بلال

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36

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Arabic

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History

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Pages:

386

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good

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1046

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Book Description

أجواء نيويوركيّة كاملة في مطلع الرواية، تأخذك بعيداً إلى تفاصيل دقيقة من نمط الحياة الأمريكية، بكل جوانبها الثقافية والبيئية… الأمطار، السماء الملبّدة بالغيوم، وحتى طريقة التعبيرات التي تشعر أنها تماهت تماماً مع طبيعة الحياة الامريكية. وبأسلوب قصصي متسلسل مكتوب بعناية، ومع الغوص التدريجي في أحداث الرواية، تجد نفسك بين أحداث رواية ثلاثية الأبعاد، لثلاثة أشخاص: بلال الصغير… وأمجد المتشكك… ولاتيشا المكلومة… كل منهم يرصد الوجود وفقاً لأفكاره ولطريقة حياته ولفهمه وآلامه ومشاكله، بطريقة شديدة العمق في التحليل، تعبّر عن القارئ بالضبط… ثثم يأتي، العمود الفقري للرواية، الصحابي بلال الحبشي… وهنا فقط، مع توغّلي أكثر في احداث الرواية، أدركت تماماً تفرّد الطرح الذي انا بصدده، ليس فقط من باب المعالجة. وإنما أيضاً من الدقة في اختيار النموذج المعياري الذي يُرجع إليه بشكل مستمر طوال أحداث الرواية…
Author portrait of Ahmed Khairy Al-Omari

Ahmed Khairy Al-Omari

An Iraqi writer, born in Baghdad in 1970. He belongs to the Omari family in Mosul, whose lineage goes back to the Caliph Omar Ibn Al-Khattab. His father is a well-known Iraqi historian and judge, Khairy Al-Omari. A dentist graduated from the University of Baghdad in 1993, but he was known as an Islamic writer through books that combined a modern approach in presenting topics and a distinguished literary style. He was chosen in 2010 to be the intellectual figure honored by Dar Al-Fikr in its annual tradition, in which prominent figures such as Abdul Wahab Al-Masiri, Al-Bouti and Al-Zuhaili were honored. Thus, Al-Omari is the youngest of these honored people, as he was chosen before he reached the age of forty. Al-Omari's works are a quantitative and qualitative addition to the thought of the Renaissance, of which Malik Bennabi is considered one of the most important pioneers. He was able to carry the discourse of the Renaissance to a broader category than the one directed by Malik Bennabi because of its distinctive language and clear statement, in addition to his reliance on the Qur'anic rooting of the Renaissance made his ideas more acceptable.

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