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الأيدي الناعمة

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عن المسرحية: كنا نتحدث عن وضع المسارح في مصر حين قال لي الأستاذ توفيق الحكيم إنه يتصور أن يخصص المسرح القومي بتقديم تراث المسرح المصري على مدار العام حتى يظل هذا التراث حياً وحاضراً، فكما تحافظ المتاحف على الآثار التاريخية يجب أن يحافظ المسرح القومي على الآثار المسرحية. ومضت السنون ورجل توفيق الحكيم، وصارت المشكلة ليست فقط في عدم إبقاء تراثه المسرحي حياً على خشبة المسرح وإنما في عدم توفره حتى كنص مطبوع، وقد شكا لي وزير ثقافة عربي سابق من أنه بحث في المكتبات أثناء زيارته للقاهرة عن عدد من مسرحيات الحكيم ليكمل بها مجموعته، فقيل له أنها نفدت ولم يعاد طبعها منذ سنين.. من هنا كانت سعادتي لمشروع دار الشروق بإعادة نشر الأعمال الكاملة لأبو المسرح العربي توفيق الحكيم، فالأمم لا تنمو ولا تزدهر إلا بمقدار ما يكون تراثها ماثلاً في حاضرها وإلا انفرط عقدها وفقدت ماضيها ومستقبلها معاً، في التاريخ وفي السياسة كما في الآداب وفي الفنون. محمد سلماوي
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Tawfeek Al Hakeem

He was born in Alexandria and died in Cairo. An Egyptian writer and writer, one of the pioneers of Arabic novel and playwriting, and one of the prominent names in the history of modern Arab literature. Over successive generations of writers, his famous play Ahl al-Kahf in 1933 was an important event in Arab drama, as this play was the beginning of the emergence of a theatrical trend known as mental theatre. Despite the prolific production of Tawfiq al-Hakim, he wrote only a few plays that could be represented on stage. With a great deal of depth and awareness, his theatrical movement was called mental theater due to the difficulty of embodying it in a theatrical work, and Tawfiq Al-Hakim was well aware of this, as he said in one of the press interviews: “Today I set my theater within the mind and make the actors ideas move in the absolute of meanings wearing the clothes of symbols, that is why it expanded The gap between me and the stage, and I did not find an bridge that transmits such works to people other than the printing press.Al-Hakim was the first author who was inspired in his theatrical works with topics derived from the Egyptian heritage, and this heritage was inspired by this heritage through its different eras, whether they were Pharaonic, Roman, Coptic or Islamic, but some critics They accused him of having what they described as pharaonic tendencies, especially after his novel The Return of the Spirit.

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