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Book cover of أشواك السلام by Tawfeek Al Hakeem

أشواك السلام

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Arabic

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literature

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180

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Book Description

مسرحية أشواك السلام, مسرحية تنبض بالإحساس العميق المخلص للإنسان الذي ينشد السلام. فالإنسان الذي يتلمس السلام والطمأنينة في حياته هو من يمتلك طوية حسنة وأخلاق سامية. هذا ما أراد الأديب توفيق الحكيم إبرازه من خلال مسرحيته التي ساقها ضمن مناخ درامي حمل قصة شاب يعمل في السلك السياسي أراد الزواج من فتاة ومع اختياره عليها فجوبه هو والفتاة بمعارضة الوالدين اللذين كانا يحملان شعور العداوة كلٌّ منهما للآخر. وكما حمل الشاب دعوة للسلام في المحافل الدولية، وكما انطوت سجية الفتاة على السلام أيضاً، كذلك كانت دعوتهما في حياتهما التي استطاعا أن يقتلعا منها شوك العداوة بين الوالدين وإحلال السلام بدلاً من ذلك.
Author portrait of Tawfeek Al Hakeem

Tawfeek Al Hakeem

He was born in Alexandria and died in Cairo. An Egyptian writer and writer, one of the pioneers of Arabic novel and playwriting, and one of the prominent names in the history of modern Arab literature. Over successive generations of writers, his famous play Ahl al-Kahf in 1933 was an important event in Arab drama, as this play was the beginning of the emergence of a theatrical trend known as mental theatre. Despite the prolific production of Tawfiq al-Hakim, he wrote only a few plays that could be represented on stage. With a great deal of depth and awareness, his theatrical movement was called mental theater due to the difficulty of embodying it in a theatrical work, and Tawfiq Al-Hakim was well aware of this, as he said in one of the press interviews: “Today I set my theater within the mind and make the actors ideas move in the absolute of meanings wearing the clothes of symbols, that is why it expanded The gap between me and the stage, and I did not find an bridge that transmits such works to people other than the printing press.Al-Hakim was the first author who was inspired in his theatrical works with topics derived from the Egyptian heritage, and this heritage was inspired by this heritage through its different eras, whether they were Pharaonic, Roman, Coptic or Islamic, but some critics They accused him of having what they described as pharaonic tendencies, especially after his novel The Return of the Spirit.

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