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Book cover of Their Eyes Were Watching God by Zora Neale Hurston

Their Eyes Were Watching God

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Number Of Reads:

3

Language:

English

Category:

literature

Pages:

259

Quality:

excellent

Views:

1036

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Book Description

This title will no longer be available for programming after the 2020-21 grant year.
To call Zora Neale Hurston's Their Eyes Were Watching God an "African American feminist classic" may be an accurate statement—it is certainly a frequent statement but it is a misleadingly narrow and rather dull way to introduce a vibrant and achingly human novel. The syncopated beauty of Hurston's prose, her remarkable gift for comedy, the sheer visceral terror of the book's climax, all transcend any label that critics have tried to put on this remarkable work. First published amid controversy in 1937, then rescued from obscurity four decades later, the novel narrates Janie Crawford's ripening from a vibrant, but voiceless, teenage girl into a woman with her finger on the trigger of her own destiny. Although Hurston wrote the novel in only seven weeks, Their Eyes Were Watching God breathes and bleeds a whole life's worth of urgent experience.

Author portrait of Zora Neale Hurston

Zora Neale Hurston

Zora Neale Hurston (January 7, 1891– January 28, 1960) was an American author, anthropologist, and filmmaker. She portrayed racial struggles in the early-1900s American South and published research on hoodoo. The most popular of her four novels is Their Eyes Were Watching God, published in 1937. She also wrote more than 50 short stories, plays, and essays.
Hurston was born in Notasulga, Alabama, and moved with her family to Eatonville, Florida, in 1894. She later used Eatonville as the setting for many of her stories. In her early career, Hurston conducted anthropological and ethnographic research while a student at Barnard College and Columbia University.She had an interest in African-American and Caribbean folklore, and how these contributed to the community's identity.
She also wrote fiction about contemporary issues in the Black community and became a central figure of the Harlem Renaissance. Her short satires, drawing from the African-American experience and racial division, were published in anthologies such as The New Negro and Fire!! After moving back to Florida, Hurston wrote and published her literary anthology on African-American folklore in North Florida, Mules and Men (1935), and her first three novels: Jonah's Gourd Vine (1934); Their Eyes Were Watching God (1937); and Moses, Man of the Mountain (1939).Also published during this time was Tell My Horse: Voodoo and Life in Haiti and Jamaica (1938), documenting her research on rituals in Jamaica and Haiti.

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