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Dark Screams: Volume Six is an English-language horror anthology featuring Stephen King, Lisa Morton, Nell Quinn-Gibney, Norman Prentiss, Joyce Carol Oates, and Tim Curran. It was edited by Brian James Freeman and Richard Chizmar, published as an ebook by Hydra, an imprint of the Ballantine Group, and released on April 25, 2017. The book is listed at 194 pages and belongs to the Dark Screams anthology series. Although Stephen King’s name is prominently associated with the volume, this is not a single-author novel; it is a collection of six dark suspense and horror stories by multiple writers.

Stephen King’s contribution, “The Old Dude’s Ticker,” opens the collection with a grim psychological setup centered on Richard Drogan, a Vietnam veteran whose fear, trauma, and obsession lead him toward murder. The story is connected to the tradition of Edgar Allan Poe’s “The Tell-Tale Heart,” using the idea of an unstable narrator driven by a terrifying fixation. King’s piece gives the anthology an immediate sense of dread, guilt, and moral collapse, making it a strong entry point for readers searching for Stephen King horror stories with a classic influence. Lisa Morton’s “The Rich Are Different” shifts the focus from personal madness to the secretive world of wealth and privilege. The story follows Sara Peck, a writer known for exposing the private lives of the rich and famous. Her professional curiosity brings her close to people whose desires are more dangerous than she expects. The plot suggests that luxury hides something predatory, and the horror comes from discovering what powerful people may be willing to do to preserve pleasure, status, or secrecy.

In Nell Quinn-Gibney’s “The Manicure,” an ordinary visit to a nail salon becomes a disturbing confrontation with the past. What should be a calm, routine moment of self-care gradually turns into a nightmare as buried memories and emotional wounds begin to surface. The story uses a familiar setting to create claustrophobic fear, showing how horror can grow from everyday experiences when unresolved pain refuses to stay hidden.

Norman Prentiss’s “The Comforting Voice” adds a family-centered supernatural unease to the volume. Baby Lydia can only be calmed by the strange voice of her grandfather, whose throat cancer has damaged the way he speaks. The unsettling part is not only the sound of the voice but the meaning behind the words. The story builds tension through intimacy: a baby, a family, illness, and the frightening possibility that comfort may come from something unnatural.

Joyce Carol Oates’s “The Situations” explores domestic fear and authoritarian control. The story focuses on children who are taught strict lessons under a father’s rule, where obedience is demanded and questioning is dangerous. Rather than relying only on supernatural shocks, Oates creates horror from power, discipline, and emotional damage inside the family. Its terror lies in the scars that rules can leave when love is replaced by domination.

Tim Curran’s “The Corpse King” closes the anthology with a more macabre, graveyard-oriented form of horror. The story follows grave robbers Kierney and Clow, who survive by staying ahead of the law while dealing in the dead. Their criminal trade places them near something far worse than legal punishment: a monstrous force connected to death and decay. This final tale gives Dark Screams: Volume Six a gruesome finish, adding physical horror to the psychological and domestic terrors that appear earlier in the book.

Overall, Dark Screams: Volume Six is a compact horror anthology built around fear in several forms: madness, wealth, memory, family control, illness, and death. Readers looking for a traditional plot like a novel should know that the book does not follow one continuous storyline. Instead, it offers six separate horror stories linked by mood, genre, and the editorial vision of Brian James Freeman and Richard Chizmar. For fans of Stephen King, the main attraction is “The Old Dude’s Ticker,” but the volume’s wider appeal comes from its range of voices and its mixture of psychological suspense, supernatural dread, and dark human behavior.